electronic
| theatrical | performance
 |
Character
begins in the body - in the observed and felt behaviors which we simulate
internally. I watch you approach from a distance and before I can make out
the features on your face, I have assessed you in more ways that I can ever
articulate. Theater is a laboratory for experiments in character and behavior.
These were some of my experiments. |
Character Design/Scripting
(Theatrical & Musical)
1995:
ELECTRONIC HOME THEATER/ THE EARLY YEARS
Drake High School Communications Academy (San Anselmo)- Writer/Director
in Residence |
|
| 1994:
SPOONMAN PUPPET SHOW III (Flathead Flamenco) - (Assorted
Characters) - Festival Fantocchio of New Puppetry - Script & Direction
/ Music by Beth Custer |
|
1993:
ANGANOK/ZAHABYA / (an original opera) - (Still)
Overtone Festival of New Music - Script & Direction / Music by The
Residents |
|
| 1992:
SPOONMAN PUPPET SHOW I (Flathead Voice)
- Script
& Direction / Music by J.A. Deane |
|
1991:
THE GREEN MOTH (an original opera)
UC Santa Cruz Drama Department
Script & Lyrics / Music by Gina
Leishman |
|
1990:
DARK NIGHT OF THE SPOON (an original opera)
West Coast Playwright's Festival
Script, Direction, & Music |
|
1988:
SUPERSTITIONS (an original opera) - (Still)
KQED Television Production - Concept & Music w/ Overtone Theater/ Text
by Sam Shepard (Emmy Award for Musical Composition) |
|
| 1988:
SUPERSTITIONS/ THE SAD LAMENT OF PECOS BILL (original operas) -LaMaMa ETC
(NYC) - Concept & Music w/ Overtone Theater/ Text by Sam Shepard |
|
| Way
Back: JOLLY WALLY'S WONDER FOLLIES - (A Traveling
Circus) - Writer/Director/Performer (Don Pistachio) |
|
Live Performance
& Direction ...>
